Last updated on May 5th, 2026 at 12:41 pm

The Problem

The sync licensing industry faces a fundamental information asymmetry problem. With hundreds of production music libraries operating globally, producers struggle to identify which companies are actively placing their style of music. Jesse Josefsson, veteran of 10,000+ sync placements, identified this gap as a core market inefficiency.

Genres were wrong, moods were wrong. Just not even close to what I would think as acceptable answers for an auto tagging model.

Jesse Josefsson

Founder, SyncMyMusic

Key Challenges:

    • Producers pitching to inappropriate libraries for years without results
    • Manual research taking days or weeks per opportunity
    • Inaccurate tagging solutions create more problems than they solve
    • Industry professionals “flying blind” when making strategic decisions

The Solution

One of the members said it was so accurate, it was almost spooky because it got things and it labeled things that even they wouldn’t have probably thought of themselves.” – Jesse Josefsson

After evaluating multiple auto-tagging solutions, SyncMyMusic selected Cyanite based on accuracy standards and industry reputation. The platform architecture combines TV placement data with AI-powered music metadata analysis to deliver targeted recommendations.

Why Cyanite:

    • Industry-leading accuracy in genre and mood classification
    • Partnership credibility through SourceAudio integration
    • Responsive customer support with sub-2-hour response times
    • Seamless API integration capabilities

The Implementation

I’m what they would probably call a “vibe coder”. I don’t have coding skills, but if I can do this, you can do this.Jesse Josefsson

Jesse built the entire SyncMatch platform using AI tutoring (ChatGPT/Grok) and automation tools (make.com) without traditional coding experience. The implementation took 2.5 months from concept to MVP, demonstrating how modern no-code approaches can deliver enterprise-grade solutions.

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